Archive for the ‘My Art/Design/Business’ Category

Burning Man Costume, Part 6.

Saturday, May 12th, 2012

Nudibranches! Nudibranches, as I’ve mentioned before, are amazing vibrantly-colored underwater slugs. They are gorgeous and insanely varied. Here’s a cover of a book on them.

I made an artistic interpretation of a nudibranch and put a pinback on it so I can attach it somewhere on my costume. I don’t know if anyone will know what it is, but I don’t care because yay nudibranches!

It’s got sequins and rocaille bugle beads that reflect a bit of light, so it’s quite jazzy. And right now I’m adding the festive hoohah to the hem of my skirt. Ugh, what a pain. Here’s the thing: When I was pimping out the edges of the jacket, like the sleeves and the back, it was no biggie because it wasn’t much material. The hem of my skirt is about ten feet around, so hand-tacking and hand-beading is taking forever and a day, but it’s super-important to me that the jacket and the skirt match as much as possible, so I’m going to buckle down and deal with it because that’s what adults do (I think). I think I look like a Dickensian character, hand-beading m’lady’s gown until the wee hours of the morning so I can afford to buy my bowl of pig-finger-and-carrot-stew or whatever. Here’s two pics of the sequined strip with dangly plastic beads (I sewed all those sequins by hand, so at least those ten feet are done) as well as the top bit that I’m tacking down right now. When you see little blue or orange dots in the top part, those are the pins holding it on until I finish stitching it down.

And I’m making a big ole crab to put on my hip. I’m kind of depending on the three seastars and the giant crab to help to quickly identify what I am (ocean floor). The barnacles, tube worms, nudibranches, kelp and sea anemones are a bit more cryptic, so I’m hoping the crab and sea stars will do the job. I made the base of the crab’s carapace out of the most mundane of objects. It’s made of a couple of bent hangers, which I then covered with newspaper dipped in a flour and water mix. I didn’t want the shell to be rubbery and I was too lazy to research which factory-made glues resemble the glue used on casts for broken arms, so I just made my own like a pioneer woman. I then painted the undercoat white and put yellow on top of that. I don’t have any yellow in my costume yet and I’m trying to have all the colors, so this will be a yellow crab. Here’s a pic.

I was reticent to tackle the claws because I truly had no idea what I was going to do. I found some blue foam which I used all the time in college prop class and carved me up some claws that I covered with papier-mache as well. And then I realized I hated them. I didn’t like how all the corners were round and soft. And bonus, my apartment was now covered with a thin, itchy layer of powdered crunchy foam. It’s in bed with me now.

Eh. I hate working really hard on something and then chucking it in the trash, but sometimes you gotta do it. I cut a new claw shape out of illustration board and then carved new foam bits to give it dimension, then covered those with three layers of papier-mache and goshdarnit if they don’t look more crisp and claw-like.

Now I’m papier-mache-ing the six legs I also cut out of illustration board. Once those are done and painted, I’m going to assemble all the bits on the base piece and hopefully it will all come together like magic.

Designin’ for a livin’.

Thursday, April 19th, 2012

While I devote almost all my free time to my Burning Man costume, I am still gainfully employed in the advertising and still do freelance work on the side. Someone asked me why I work so much, and I sent them this image. While I do not knit, it still answers the question.

And work is not always work. Publicis recently competed in an inter-agency dodgeball tournament, where I went as a cheerleader (or “athletic supporter”). I made a truly offensive sign and with my co-worker Foxxx we sat there and cheered for our team. Team Dodgy Style. Really. Warning: Totally classless.

But in actual work-related stuff, I finished the Publicis History Timeline that I started about a year ago. I had to do a ton a research because no one had any pictures or anything, but I really enjoyed the quest. And it all gave me an opportunity to stretch my designing muscles because I was given complete free rein. I came up with all the little curlycue bits on the text boxes and all the graphic elements, everything. It was a blast. Here’s the full timeline, followed by several noteworthy chunks for deeper perusing.

Also, I love it when nothing goes to waste. A while back I made a vector illustration of a variety of buildings and signs (and one ambulance) in Chappaqua for my side work, NewCastleNow.org, the local newspaper. It wasn’t a hit and I was a bit forlorn because I had spent a lot of time on it. But sho’nuff, it has resurfaced in this page header and everyone thinks it great so that makes me happy.

And finally, there might be another type of timeline similar to the one above and they wanted it to be very contemporary-looking so I designed my first number set for the 1920s, 1930s,… 2000s, 2010s, etc. part. It’s harder than it looks but I think it turned out really cool. I like that each number/letter will have a unique color pattern.

Burning Man Costume Part 5.

Monday, April 16th, 2012

Before we get to that, a friend of mine showed me a video of a Kinect game where you are either Darth Vader or that nasty shriveled Emperor and you have… a dance-off. I don’t know why this exists. The whole thing was really funny, but at the end, I cracked up and I made an animated gif of the exceptionally amusing portion.

Happy dancing stormtroopers! Get down witcho’ bad selves!

Okay, costume. I hemmed the skirt that Snorth made for me (thank you, Snorth) and painted it brown and more brown and gold. Then I covered it with wee magenta dots so it would somewhat match the jacket bit. It’s okay that the magenta dots aren’t exactly the same because the skirt and jacket will be covered by a plethora of sea beasts. I took one picture with flash and one picture with natural light. Neither one is completely accurate, but it definitely gives you an idea.

I trimmed the jacket sleeves and the back panel and added all kinds of froofy-foo. Seaweed, glass beads, some fabric paint and some green sequins. I’d like you to note that nowhere am I using any crystal. No crystal beads and no rhinestones. There’s a reason for that, it’s very simple. The reason why is once you encrust something in rhinestones, it immediately becomes awesome. Anything. See image below.

What do we have here: a tape dispenser, a toilet, a wee bottle of Vaseline? You get my point. So in order to make this a challenge for myself I decided no crystal of any kind, and no precious stones. Some glass, mostly plastic, a lot of fabric. It’s a challenge for me because it’s out of my comfort zone, but I like that. I’m attempting to do that famous quote:

“Do one thing every day that scares you.”
– Eleanor Roosevelt

So, yeah, sleeves. I tried to find alternative ways to make it spectacular without being bejeweled. I also took pictures of the sleeves with and without flash to give you a better understanding of the look I’m going for.

And finally, tube worms! Who doesn’t like a good tube worm? Bad people, that’s who. These guys are going on my hat with the sea anemone. The ugly bases will be covered by kelp and whatnot. Maybe some mussels if I have the time.

I still have a million things to do (the giant crab that goes on my hip isn’t going to make itself) but I feel like I’m getting somewhere. I can see the finished product a little bit better in my head now.

Burning Man Costume Part 4.

Friday, April 6th, 2012

I was petrified but I bit the bullet, went to Home Depot, bought polytubing and built mah hoop skirt. It only needed two hoops to poof out as much as I wanted it to. I wanted to soften the harshness of the hoop edges, and Snorth recommended ruffly tulle, so ruffly tulle has been added in shades of yellow and green. Because tulle doesn’t fray the way fabric does, I’m going to build the skirt over it and then trim the tulle so you only see a wee bit underneath (I’m coy!)

Here’s where the sadness comes in. I keep forgetting I am shaped like a refrigerator, so in my mind’s eye when I put on this outfit I will look awesome and ethereal, like the goddess of the ocean. At least I will resemble Ursula, or maybe one of those dudes from the Pirates of the Caribbean movies, with all the ocean stuff stuck to them. I tried on the jacket, the hoop skirt and the corset all at the same time and looked in the mirror, and it turns out I look like an even split between Brunhilde from the Ring of the Nibelungen operas and the hippos in tutus from Disney’s Fantasia. This is not the look I was going for.

But when life gives you lemons, you quietly cry for a little while, then pull yourself together and convince yourself you wanted to look like a chorus girl from the musical number “Springtime for Hitler”.

So I embraced my inevitable dorkiness and continued working. I made seaweed strips for the sleeves out of chunky white lace.

I dyed it yellow, painted splotches of green, covered the back with a plastic glue that prevents fraying, trimmed it to make it look more “seaweed-y”, then sewed green rocaille beads to add pizzazz. I think I may have to trim the sleeves on the jacket because with the seaweed the arm-parts come down to my waist area, which is too long. That’s the good part about designing your own costume slowly – you can adjust as you go because, hey, who’s gonna complain? More costume to come.

A wee tutorial on how to make fish scales out of packing tape.

Wednesday, March 28th, 2012

As promised, here is the tutorial. I hope it helps you out. My camera is not the greatest, just trust me that these things look really cool in person.

Before I start, I wanted to show you my inspiration. I was trying to make a combination of the jacket Emma Watson was wearing for the Vogue shoot, as well as the famous 1949 Dior dress with scales on it. Miley Cyrus wore a copy of it to the 2009 Oscars.

I made the images in the tutorial full-size so you can just scroll down.

Things you will need:

- A template of your scale mounted on foamcore
- Pins
- Clear packing tape
- A small paintbrush
- Big sequins, medium sequins and small sequins
- Scissors
- Transparent tape
- Clear sequins, preferably square but round is fine too
- An ink pen

1. Make a template and attach it to a piece of foamcore.

2. Cut some of the large sequins in half.

2. Cut off a piece of clear packing tape and pin it down to the template sticky-side up, aligning the top of the tape with the flat part of the scale. Pin it in place.

4. Dampen the paintbrush with a little bit of spit or water and pick up the sequin halfsies, placing them with the flat edge against the round part of the scale. Don’t soak the brush, you just want it tacky enough that the sequins will stick until they hit the packing tape. I wanted them to have a scattered look so I made them uneven, but you can make them even if you want, no problem.

5. Fill in some of the gaps with full-size large sequins. Again, I’m doing a random pattern.

6. Now fill in further with the medium and small sequins, creating a rough crescent shape (thicker in the middle, thinner at the edges).

7. Using only the small sequins, place a few in the interior area, giving a bit of a “fade” effect.

8. When I bought the sequins, they came in a bag with a lot of the center punched-out bits still included. You know when they punch out a sequin, the little hole in the middle? Those pieces was in the bag as well. I inserted them here and there between the sequins to fill in and then to smooth the transition of the fade effect. Waste not want not, my Grammy said, so that’s what I’m doing.

9. Snip off another piece of packing tape and, starting at the center of the scale, gently mash it down on top of all this, smoothing outward as you go, effectively encapsulating the sequins in a plastic cage for eternity. It’s okay if there are bubbles, but if they are very large and bother you, take a pin and pop them gently on one side, then use your fingernail to coax the air out.

10. Use the ink pen to trace the outer edge of the scale.

11. Remove the pins and you should be left with this.

Trim it with the scissors and voila! You have a scale. I, however, was concerned with the scales ripping when I sewed through them, so I did an additional reinforcing measure. I recommend it. If you’re spending all this time on making these freakin’ things you don’t want them coming off and causing you sadness.

12. Rip off a piece of transparent tape. Not Magic Tape, transparent tape. Lay it down sticky-side up at the top of the scale template. Stick two pins in it so it doesn’t shift.

13. Here’s where the clear sequins and those two black marks come in. Since the sequins are clear and therefore hard to see, I took a photo of one on the back of my remote control which was conveniently sitting next to me (as it always is, I love TV).

Using the damp-paintbrush technique, put two sequins at the toppy-top-top of the tape, aligning the center holes with the black lines.

14. Press the scale down on top of the transparent tape, remove the pins and trim the excess. Now repeat over and over and over (in my case, 140 times). Here’s one side of my corset with the scales sewed on.

I think this was a good idea. They’re lightweight and very flexible. Hopefully it will all look good together.

Burning Man Costume 3.

Tuesday, March 20th, 2012

OMG OMG OMG. I got tickets to Burning Man. I’m either going to go with Neenernator or Cricket, but I’m going for sure. That’s not why I’m so excited, though. Look at this comment I got:

The Snail-Maker said hi! In case anyone forgot, the photo that made me want to go to Burning Man is this one:

Seriously, look at that thing. It’s phenomenal. You pull the reins and fire shoots out its eyes. And now I’ve been to the Snail-Maker’s site (oilpunk.com), I saw the making of my beloved Snailmobile as well as it in different places. I love it so much.

I don’t have any new costume updates, I wanted to share the fact that I got tickets and the Snail-Maker contacted me (eeeeee!). However, since many people have expressed interest on how I made the packing-tape scales, I will be making a wee tutorial on that shortly. Soon you all can make scales of your very own!

Charts, Winston and Work.

Friday, March 16th, 2012

1. Would you like to see some charts? I bet you would.

2. Have you guys heard of the website FourFour? It’s a blog I’ve been reading for a few years, written by a guy named Rich. He is most famous for his America’s Next Top Model reviews, his music reviews, his deep love of all things tacky and campy, and Winston. Winston is Rich’s cat. He is a smoosh-faced gray-colored little fella, and he is weird. Perhaps a bit simple. But, asides from looking perpetually grumpled and have a fierce need to protect the banana bowl in Rich’s kitchen, he is quite amenable to getting costumes put on him, so Rich dresses him every Halloween. And I look forward to it every Halloween because it is glorious. Here’s Winston as a baby.

Here’s Winston being Winston.

Here is Winston in various costumes for various holidays.

And here is what I consider to be possibly the greatest photo of anything ever. It’s Winston as the giant worm from Dune.

THE BEST PHOTO EVER. Every time I see it I laugh until I tinkle a little bit.

He has his own Twitter thingie, so you can follow him @winstonbananas.

3. Recently we had a pitch where we were appealing to a young-adult clothing manufacturer and I made our typical response to questions (normally a book) as an iPad app, which was daunting but really fun. I got complete free reign on how to design it, and I really think it turned out great. Here are a bunch of pages. I blurred out stuff that I don’t think should be circulating on the internet, please don’t be thinking there’s just smudgy info on pages.

Burning Man Costume 2.

Tuesday, March 13th, 2012

Because of the Burning Man ticket poopstorm (you can read about it here and here if you haven’t been made aware of it) I may not get to go this year, which is a bit of a bummer. However, I chose the theme of my costume with the intent of wearing it to a bunch of different events. For example, it’s an ocean theme, so I could march in the Mermaid Parade in Coney Island next June. And the Halloween Parade in New York in October. And maybe I can go to Burning Man next year if I don’t make it in this year. It’s all good. This costume’s gonna get worn.

In the meantime, I’ve been making more components. I took one of my father’s old crappity herringbone jackets and cut it all up to hell, then painted it. It now looks like this.

I painted it various shades of brown, then did some sponging of gold on the shoulders to give it some texture. I’m attempting to mimic the crusty complicated ocean floor. Why gold you ask? Well, I’m using gold throughout this costume because I read somewhere that there are nine pounds of dissolved gold in the ocean for every man, woman and child on Earth, which I thought was a neat scientific fact. I then added the magenta dots to increase the visual…stuff. I bet you think I splattered the magenta paint, but no, I painted each and every dot because I am a control freak and splatter-painting is too chaotic for me. I went and bought nearly identical herringbone material to make the skirt so it will look like a set. Here’s a shoulder for more detail.

I need to put weights on the two points in the front because with the rest of the jacket cut away the points stick straight out ahead. Also, I’m perfectly aware that I am the worst seamstress in the entire world, but remember two things – one, I sewed this whole thing by hand so shush; and two, trim will be going on most of the raw edges and that will cover up the shreddy bits. There’s going to be dangly bits of seaweed on the sleeves and barnacles and seastars all over, no one’s going to be looking at my awful sewing technique.

In addition to the jacket, I bought polytubing, and with assistance from Snorth (God bless you Snorth, with your bodkins and whatnot) we constructed a hoop skirt base. I need a hoop skirt because if I have lights all over this thing there needs to be a place for the battery packs to go, and I am going to hide them under the skirt. See? See what I’m doing? Very smart.

So for the hat I have made a sea anemone (or, as I call it, a sea menemenem). It’s basic structure are two cheap Indian gold bracelets, a manipulated coat hanger and a ivory-colored knee-high stocking. I used a stocking because, once again, if I can light it up it needs to be translucent. Then there are the ribbons and the wire and the plastic beads and layers and layers and layers of Mod Podge.

And finally, the scales that go on the corset. They are made out clear packing tape and sequins. That’s it. I’ve made about 120 of them, and it takes ten minutes to make one, but it’s worth it because I sewed one half of the corset and it looks super-rad. Seriously. I’m very proud of myself.

Next is sewing the skirt and painting it, and after that is making a crab, two more seastars (bigger! pinker! sparklier!), some coral, some worms, maybe a nudibranch or two, a face mask with tentacles (or maybe it will look like a wee manta ray, I haven’t decided), seaweed for my sleeves, and an umbrella/jelly.

Burning Man Costume 1.

Monday, January 23rd, 2012

Even though I studied some costume design in college, I always have problems when I make a costume. One specific problem, actually. I keep forgetting that it is not important that the costume look good up close, it has to have impact from twenty or thirty feet away. I get so obsessed with minutiae that I end up fussing over these tiny little bits that from a distance don’t look like anything. I promised myself I would attempt to rectify this error, so every time I design an element for this Burning Man costume I like I pat myself on the back, good job Jess, and then I immediately make the thing twice as large. I try to make it so big I feel ridiculous about wearing it. Then I know I’m in the right area. So far I have made a kelp necklace, 56 barnacles and three orange seastars.

I made the kelp necklace before I had my “bigger, simpler, more garish” epiphany, so it is small, delicate and softly colored. But I had beaded it already, so I’m incorporating it nonetheless.

The top part is a large tube so that if it’s possible I can slide a thin strip of LEDs into it and they will shine through the glass seed beads. I’m creating a lot of semi-translucent and / or pierced and / or hollow elements in the hopes that some of them can be wired for light. I’m not expecting all of them to be, but I don’t know which ones will be feasible and which won’t, so I’m making a bunch of them lighting-friendly.

Seastars. Big, simple, orange, with reflective sequins. I’m making two more seastars in pink, and they will be slightly larger and have more reflective sequins.

I’ve been doing quite a bit of ocean research, and the thing I have learned about the shores and most coral reefs (which is where I’m basing my costume on) is that it is not very colorful. The rocks and the sands and the kelp and the seaweed and the coral is predominantly four colors: medium brown, bottle-green with some yellow in it, muted grape-purple, and sickly dusty pink. Mostly the brown and the green with a smidge of the purple and the pink. A jazzy yellow fish or a bright blue anemone pop up all over, but the majority is rather bleh. So the base of my costume will be brownish-greenish with brightly-colored characters scattered about. And I won’t be making any fish. I will have crabs, sea slugs, sea worms, the above-mentioned seastars, snails, anemones, urchins, clams maybe, and an enormous jelly. The closest thing I’m going to have to a fish is putting scales on my corset. It’s just everyone when they think of ocean think of fish, and there are so many other under-appreciated oceanic beasties that I want to highlight.

Speaking of one of those beasties, here are my barnacles. I put a pencil into the photo to give you a sense of scale.

I’ll keep updating as I create more pieces of this exciting ensemble.

Unrelated items of interest.

Sunday, December 18th, 2011

1. I recently had to do an web ad for a Japanese client and they wanted koi fish, so I did some koi fish research, and I now can say I have a favorite type of koi fish. They are called shusui, and in addition to having lovely orange blotchies on their sides, they have these black marks on their spines which make them look like Day of the Dead skeletons.

2. Also pertaining to my work, I made a logo for a yogurt shop, and they asked for a repeating band they could put around the store as a chair rail, on the napkins, on the website, etc. So I designed one and it’s very cheerful. I’m posting this primarily because people are always saying, “Why is everything you design with the creepy forests and the monsters and the like? Don’t you ever want to draw a golden retriever puppy gamboling in a field of daisies?” Hey, people who say that, check it out. Happy happy yogurt in cups. Not even remotely macabre.*

3. There’s this artist named Adam, I think his last name is Ellis, and he has a delightful blog called Books of Adam which has caused me to snork my beverage more than once. He does portraits of people for about twenty-five dollars a pop, and they are really, really special. Here are some of my favorite of his blog entries:

http://www.booksofadam.com/2011/04/last-best-place.html

http://www.booksofadam.com/2011/03/more-stupid-cat.html

http://www.booksofadam.com/2011/02/mahalo-come-again.html

http://www.booksofadam.com/2010/11/poor-stupid-cat.html

http://www.booksofadam.com/2010/10/there-are-no-facts-only-interpretations.html

And here are some of my favorites of his portrait drawings.

*If someone wants to pay me to make something with a puppy romping in a field I will more than happily draw it for them. I love puppies. However, if I ain’t makin’ paper I will draw what I want, and that’s insects and deep sea fish and skulls. So shush already.