Archive for the ‘My Art/Design/Business’ Category

What I’ve been up to. (Normally, no good. This time, actually good).

Sunday, July 29th, 2018

I would love to say I’ve been busy with cool, rock-star-esque activities but let’s be real here: I went to some classical music concerts with The Moomins and I am teaching myself After Effects. I was never, no will I ever be, hip or cool in any manner.

First, the concerts. The Moomins bought tickets for a bunch of performances at Lincoln Center’s Avery Fisher Hall (it’s been renamed David Geffen Hall but I ain’t havin’ any of that ish; David Geffen is the juice, Avery Fisher is the sauce) and she always gets two in case my dad wants to go with. He did not want to go with so I was drafted into the Going to the Concert Army for the day. This particular night was a Baroque chamber orchestra doing Bach and Handel, specifically Bach’s Brandenburg Concerto and Handel’s Water Music. You know both these pieces. The Brandenburg Concerto is used in a lot of high-end product commercials. Play it and think of a Lexus commercial. There ya go. Handel’s Water Music you know from, I don’t know, weddings and graduations or maybe other high-end product commercials. Music from the Baroque period seems ideal for shilling overly expensive objects to the bourgeoisie. Anyway, the concert was good and the harpsichord they brought in was good but they had the dumbest-looking lute I’ve ever seen in my life. Baroque lutes normally look like if a banjo and a guitar went to a steampunk convention.

Fine. Weird stuff happening near the twisty knobs, but okay. The guy comes out on stage with a ginormous lute where the frets end at a reasonable spot but then the neck continues on for, I kid you not, another four feet. It was taller than the guy. How much better is the sound that you have to lug an impossibly large instrument around with you when you could have a… not impossibly large version? That seems like self-imposed suffering. The lute looked like this:

Jessica: Ask Her About Her Strong Feelings Regarding Baroque Lutes.

Now on to topic #2: Learning After Effects. I’ve been making a real effort to learn this program because I’ve been doing presentations for over ten years and I’d like a bit of change. Animation is super-interesting to me so I made a bunch of stuff to update my portfolio AND teach myself this program. Let me take you on a journey.

When my company won Walmart as a client a few years back they decided to use The Spark in their campaigns, the yellow thing next to the name. So they figured out how to use it and break it up and incorporate it in things so if you’re paying attention you can pick it out.

And then this past December my company designed a sign that said “Rock This Christmas” with a snowman playing guitar, a penguin playing a saxophone and various other Christmas and/or music-related imagery.

So, armed with that knowledge, I designed two Walmart signs – one for Halloween because have you met me and one for summer to show that I have range and I am not a goth nightmare. For the Halloween one I made all different types of costumes using a variety of ethnicities and genders and if you look closely you’ll note I incorporated some Spark in each and every child. <3

Also please note that I made a little representative image on each treat bag that corresponds with the costume. The werewolf has the moon! The witch has a cauldron! The pirate has a parrot! The clown has a (not red) balloon! The mummy has an ankh! (I struggled with that one.) Then I assembled a variety of these kids on a composite similar to the Rock This Christmas one above. I got to put in candy corn and other candies and spiderwebs and an owl.

After I finished and it was to my liking I replicated the composite and started building a summer-themed version. I was psyched about this one too. I got to make cactii and popsicles and hell yeah I put in crabs because who’s gonna stop me. Also note the frequent use of Spark bits.

I know. I am very pleased with myself. So in order to give myself a challenge I decided to animate the “Fun in the Sun” image using After Effects. I would say I’m about halfway there.

I’ve done the blue background, brown base elements, words, waves, cactii, crabs, sunglasses, orange slice and pinwheel. I still have to do popsicles, beach balls, flip flops, shorts, the corner bits and fireworks. I’m getting there. I’ll keep you posted.

Recent side-project. NSFW maybe. Depends on where you work. Make a judgment call for yourself.

Wednesday, June 27th, 2018

I am a huge proponent of helping ladies doin’ their own thing so I’ll take on work pro bono for them in my free time. (Free time! Hahahahaha!) I’ve designed some logos for women starting their own businesses and presentations for masters’ theses, etc. A co-worker of mine recently started recording a podcast with her friend where they talk about sex and dating issues that women are dealing with today. It’s funny and light and positive and she needed a logo design. Since it’s a small industry I can get a little more loose and free with what I can create. I’ll explain. I created a very basic logo based on the name they gave me.

The reason I kept it so simple was I was inspired by the Absolut ads of my youth, where the shape of the bottle is the only constant from ad to ad.

So I thought it would be cool if for every episode the text remained the same and in the same position in the box shape, but everything around reflected the topic being addressed. Kind of a bespoke logo per episode, but still recognizable. I came up with some samples. I won’t specify what topics I was referencing because some of them are a bit blunt but you can guess if you’d like.

They’re all bright and cute and fun and not straight-out vulgar, more “tee hee” in nature. I was inspired by the webpage of the podcast Criminal.

I mocked up an example of what The Get Down Lowdown website could look like.

I also thought of the poster from The Dollop podcast where it’s the two hosts and a collection of characters they’ve discussed in the past.

I think it would be cool after The Get Down Lowdown is on for a while and I’ve made a large quantity of these individualized squares if I make a collage poster based on some favorite designs. Then The Get Down Lowdown girls can sell it or give it away to Patreon subscribers. There’s a lot of directions this could go.

 

Addendum: They’ve finished editing their first episode. And I have made their logo for them. It’s super-classy.

Kitchen progress.

Thursday, June 21st, 2018

Good stuff regarding my countertop: I painted over the dark parts of the ripples, most of the background and two of the five fish. I have some photographic proof.

You’ll notice I made the fishies more fancy-like. I figured since I have to redo them I might as well upgrade them a smidge. The improvements that have been made are a stronger outline, larger eyes and graded dots on the top that create a sense of roundness and depth. Here’s a shot of the old style so you can compare.

So now begins the profoundly tedious process of painting around all those dark lines and around the edges of the rocks up against the wall. It’s nice though because it’s mindless so I can listen to podcasts and just zone out a bit. It’ll get done. I have faith.

I made a thing.

Sunday, June 17th, 2018

Does everyone know about my ongoing feud with Russia? Specifically, how goshdurned good they are at crafting and how I feel compelled to crush them with my talent? I believe I mentioned it here. And here. In keeping with this quixotic quest I received an email from my sister K. with pictures of bead-woven necklaces from a Russian website. Even though I couldn’t read anything I looked at the pictures and I really liked the wildflower look of the pieces.

Specifically this one.

While viewing this unabashed awesome talent I got all huffy and was like NOT THIS TIME, RUSSIA. IT’S MY TIME TO SHINE. So I decided to make a lariat for myself using only beads I already own with leaves and seeds at the bottom. I found a whole bunch of really pretty twisted metallic / rose gold-like bugle beads so I worked off of that and made this. I think it turned out pretty great.

If you decide to make a necklace like this, might I recommend what I did which is build all the leaf / seed elements separately and then assemble them as you make the dangly components. That way if you make something that isn’t working (which happened to me) you can simply unravel the cord and remove the leaves and seeds, then fix it and put them back on. No harm, no foul.

Fun fact: I did a Google image search to find out the name of the artist of those wildflower necklaces and it is… Margo Fields. A woman from New Mexico. Not a Russian. I got all riled up for nothing. I don’t regret creating the lariat, it is a piece I will wear and it was a nice stretch for me, but perhaps in the future I should do research before I get a bunch of cyrillic bees in my bonnet unnecessarily.

 

I’m mad at the entire state of Oregon.

Tuesday, March 13th, 2018

Just saw the new commercial for Oregon Travel. What the hell, Oregon? You forget I exist over here? You’re gonna make a commercial with giant rabbits covered with tulips and caterpillars on bicycles in the style of one of my favorite films Spirited Away and you’re not gonna call me? We have beef now, Oregon. We fightin’.

Russia’s vice-like hold on the apex of crafting will crumble at my feet.

Wednesday, January 17th, 2018

So you may or may not know that I have a personal ongoing feud with the entire former Soviet Union because every time I am feeling good about my artistic talents some Slavic person pops up on my Pinterest and destroys my self-esteem with their superior skills. Every time. Like clockwork. I’ve mentioned it here:

http://design-newyork.com/blog/2013/10/08/two-artists-that-are-magnificent-and-humbling/

And here:

http://design-newyork.com/blog/2016/01/23/two-artists-that-might-make-me-not-scared-of-dolls-finally/

And here:

http://design-newyork.com/blog/2016/08/30/moooooooom-the-russians-are-being-better-at-crafts-again/

While we’re here, let’s add Julia Gorina to the list:

And Tatiana Verkhovskaya:

It never ends. But today is a new day. Today is the day I begin my climb to my rightful place as The Best At Crafts. I’ll take you through my journey.

I like jewelry. I like early 1900s fancy jewelry with enamel and plique a jour (enamel with no back, kind of like tiny stained glass) and diamonds and gold. Unfortunately I do not have the kind of money to buy all the things I want. So I’ve decided to figure out how to make it myself in far less expensive mediums like wire and resin and crystals. I made a folder of inspirational images to draw ideas from.

 

I started with this one:

I wanted a really simple shape with thicker and thinner parts where the diamond sizes are graded and the diamonds are on a dark background like tarnished silver. I only used stuff I already had in my apartment, so I wrapped some gold wire in some brown wire and soldered loops so it could hang and made sure all the shapes were closed because I intended to dip the shape into that plastic stuff that Sakae uses for her kanzashi.

I learned oh, oh so much during this process. Like if the wire is made of aluminum it does not want to be soldered. And if you have a big open space in the middle of your piece the plastic dip material will not go across it, you need little struts to break up the space. AND why people don’t have thick wires at in their plastic dip pieces is because of The Glop. More on that later. But I got it to a decent place. I wired, then I soldered, then I dipped, then I failed, then I picked off all the plastic, then I did it again, then I failed again, then I finally got it right, then I covered it in a thin layer of UV resin, then I painted delicate black calligraphic lines on the thicker edges, then I adhered graded flat-back crystals along the black paint. The final product looks like this.

With my hand for scale.

Here is The Glop situation I was describing.

Okay. Good start. Things I will do in the future:

  • Use raw copper wire with copper solder so it adheres more easily and the solder isn’t as noticeable (the solder I used was the standard silver-colored one and it’s REAL noticeable)
  • Spray it with a water / baking soda mixture to make it brown
  • If the “windows” are small I will use thinner wire to avoid The Glop
  • Try UV gel topcoat instead of UV resin because the resin is thick, prone to bubbles and has a yellowish cast
  • The black acrylic paint worked fine, that’s staying
  • Using UV resin with a paintbrush to attach the crystals also worked fine, that’s staying too

I’m psyched about where this is heading. I feel lots of growth and potential in this. Soon all of Siberia will be mine for the taking, craft-wise. Stay tuned for more on this as it happens.

I think I might get into heaven now.

Saturday, December 30th, 2017

How was everyone’s Christmas? Hopefully good. Mine was good. I went to two Christmas parties. At the first one on Christmas Eve I received a present from my new niecephew: a black t-shirt.

And on Christmas Day I went to a friend’s house for Christmas where I received… a black t-shirt.

I consider that a win. I’ve set up a range of things I like (black t-shirts, snarky comments on said t-shirts) and people are paying attention. This is excellent.

Now, concerning the title of this post. I made nice things for others really hard this year. I had said I was going to make stockings for the mantle for my niecephew and BOOM! they were born and I hadn’t started on a single sock. I sewed like the wind. I bought plain burlap stockings and using felt, beads and sequins I thoroughly pimped them out. I tried not to make them too feminine or masculine because I don’t want to reinforce gender colors but they still had to be holiday-themed.  I feel like I accomplished my goals.

While at work in early December I heard a young girl in the design group talking about how her cousin wants a rhinestone-covered S’well bottle. The only problem is that they cost $1,500. For a water bottle. I should have just walked on by but I cannot hear about a craft project and not offer to help. I should tattoo “SUCKA” across my forehead to make everything faster. Anyway, due to time constraints I ended up encrusting the top and not the whole bottle. I did it ombre because why the hell would I not. Pale pink to cream to crystal clear. I’ve never done anything like that and I’m actually glad I took this project on because I learned much about the rhinestoning of things. (And in keeping with the sucker motif, I only charged the $25, the cost of the raw materials. I gave her my time for free. My patronus is a vacuum. Sigh.)

 

Addendum: Totally forgot that over the holiday break I helped a co-worker with a master’s thesis in Keynote, repaired and rebuilt another cow-worker’s broken necklace AND made my sister an overdue birthday present. HEAVEN. I’M GETTIN’ IN.

I made some stuff. Let’s look at it.

Monday, December 18th, 2017

I made two things, veeerrrrrrrrry diametrically opposite. First, the deer skull. Cricket’s dad found a deer skull with antlers behind their house twenty years ago and Cricket recently gave the skull to me. It was a fine-looking skull and I wanted to display it but it looked sort of nakey. So I decided to decorate the skull using every bead technique I could think of. I even tried new techniques I had only seen online. One of my big inspirations was Betsy Youngquist. I’ve mentioned her before. She does some drool-worthy work. I don’t know what you’d call what she does – bead and found item mosaic? Object decoupage? Three-dimensional collage? Whatever it’s called, it’s awesome and I’m a big ole fan. Here are some of her newer pieces.

You know those sewing samplers from days of yore? Where a young girl would make every stitch she knew how to do on a piece of fabric? That’s what this skull turned into for me. Since I was using a million different techniques I limited my color palette to white, pearl and silver. I was pretty psyched with how it turned out. My photos are meh because for some reason my camera was flabbergasted by all the white but maybe someday in the future I will have a professional take pictures of it for my portfolio.

The second project I worked on was different in every way something could be different. It was for work, for starters. We were pitching a birth control drug. Most of the deck was perfectly normal. “Our research shows that women this that and a third thing and here’s a quote and here’s a chart,” etc. I blurred out a lot of stuff that may or may not be proprietary.

However the strategists wanted to show that modern women are bombarded by unwanted dick pics all day every day. I was told to find pictures of men showing off their charms, put them in the deck and cover the jingly-jangly parts with emojis. I get paid actually usable currency to do this. So late on the night before the pitch I typed in things that would get you fired anywhere else into Google and there they were. A veritable field of men displaying their appendages. Here’s a screengrab I took that I heavily doctored to make it SFW.

I was sitting there, sifting through the pics because I needed their head at one angle and their implements at another angle (to get the emoji cover-up to work). I also typed in several specific ethnicities to get a diverse spread (ha ha ha). I was so involved in finding the right images for the job that I neglected to notice the cleaning lady behind me who could totally see what I was doing. I only realized it afterwards and I REALLY wanted her to report me for being gross and pervy on the job so I could explain that it was for work. Alas, she did not. She does, however, greet me with a big smile every time she sees me now, like, “I know what you’re into, yeeeeeaaaaaaah.” I kinda want to tell her that that’s not my jam but then we’d have to talk about it and I don’t feel like doing that so this is how it’s going to stay. Me and the cleaning lady have a dick-pic bond. It’s a dream come true.

Acorn necklace.

Sunday, April 2nd, 2017

Hi everyone, sorry about the delay. I went to Guatemala. Did I omit to mention that before I left? I think I did. My bad. Anyway, I’m back, I have pictures to sort, it’s a lot of work and we’ll get to it eventually. In the meantime, I made something and we should look at it.

Acorns! Who doesn’t like acorns? Communists and satanists, that’s who. Acorns are awesome. A few years back I was going to make something for my dad using beads and acorns but I never followed up on it.

http://design-newyork.com/blog/2013/03/18/the-elusive-beaded-acorn/

beaded-acorn4 beaded-acorn3

Well, recently I thought it would be nice to revisit the beaded acorn situation so I pulled them out of a drawer, unraveled the top part, incorporated gold beads and made it a pin for my sister.

acorn-necklace2

Aaaaaaand she hated it. She said it looked like two boobs. I said that’s what acorns look like and what the hell do you want me to do about it. She said make it less boob-like. I figured the only way to resolve that was to break it apart and add a third acorn. That way only people who were familiar with the three-boobed lady from Total Recall would make that connection.

acorn-necklace3

I ended up making what I thought was a lovely, non-boob-related necklace but she still didn’t like it. So guess who made herself a new necklace unintentionally? This gal! It’s a little bigger than I normally would like and it makes me feel like a prophet or soothsayer from a movie like The Fifth Element or Dune but whatever, I’ll wear it and make it work.

acorn-necklace1 acorn-necklace4

I am alive! ALIIIIIIVE!! And I pimped a painting.

Wednesday, October 12th, 2016

But very busy so I haven’t done anything bloggery in forever. However, I have returned! And I made a thing! Let’s look at it.

Okay, let’s not look at it yet. Let’s have some backstory. About two years ago, my co-worker Mad had this big thrift store painting in her office. I’m sure it was worth something when it was made, but by the time she inherited it the painting was completely faded and had a giant scratch on it and someone had smashed a centipede onto it and there was dried centipede juice in the middle. Not a stellar wall hanging by anyone’s standards. Mad wanted it gone and I said, “Maybe I can do something with it, lemme take a stab,” so I brought it home where it sat quietly for two years. In mid-September it was brought to my attention that the MTA Subway in New York was taking submissions to mosaic four subway stations. I don’t know if I’ve mentioned it, but it is one of my lifelong dreams to mosaic a subway station in New York. I had to have a portfolio ready to go for this and the upcycle of the painting would be perfect for two reasons. One, it’s big, about two-and-a-half feet long, and that shows I can work on something other than the little drawings I normally do. Two, I’m taking something that already exists and is mediocre and making it special and beautiful using basic non-fancy items which is pretty much what I’d have to do if I got a subway station. So off to work I went. I came up with a concept and gosh darnit, I made the deadline. Mad LOVED it and got it approved by our agency’s Chief Creative Officer and it now hangs in what we call the Womb Room for everyone to see. Booyah. It’s nice when a plan comes together.

First, what the print is supposed to look like:

thrift-store-painting1

What it actually looked like:

img_3811

And what I did to it.

painting1

I painted big splortches on the lower right corner and upper left corner in dark purple acrylic, sprayed some large swipes of glitter gold spray paint and then drew lots of cool critters on light blue-gray cardstock with red and black pen, highlighted with touches of white acrylic. Everyone is really happy with the final product. I love how the print is satin, the acrylic is glossy, the glittery is glittery and the drawn parts are matte. I love the marriage of textures.

img_1177 painting5 painting6 painting7 painting8 painting9 painting10 painting11

Mad liked it so much she had an unveiling like it was in a fancy gallery. People came and drank wine and ate snacks and asked me questions, it was lovely.

painting2 painting3 painting4