A horribly delayed “The Police” Concert entry.

This week has be cah-ray-zee. I’m trying to buy an apartment (we will discuss this later when I actually have more information on it). And I’m trying to make product for my online store. And I’m trying to build my online store on the computer (soooo much more complicated then I anticipated, must leave lots of time for that). And I’m trying to move out of my beloved tiny Manhattan apartment. And I’m trying to do all these thing RIGHT NOW, which means I am running out of time for things like blogging and breathing and bathing. But enough with the complaining. The Police! I saw them at Madison Square Garden! And it was neat! I will give you a succinct review right now: Their music continues to be awesome, but because they are old (by punk standards), they don’t have the fire that is required to really bang that music out. I must say, though, that all three of them are consummate musicians and while I originally came to see Sting, the real star of the show was Stewart Copeland (the drummer). He was working the kettle drums and these wee chimes that go tingy tingy and a gigantic gong. He was spectacular. And the guitarist Andy Summer was also amazing, but he has the personality of wet dead fish, so however good he is, he is still difficult to watch. It was Halloween and it was no shocker he was dressed at Charlie Chaplin. Now he can use his costume as an excuse to not talk or really move around. Good choice. Sting was dressed at a harlequin with a yellow and black diamond pattern and a festive glittery codpiece, lest we forget his tantric eight-hour love-making sessions. Stewart was dressed as a zombie with an Egyptian headdress (a cobra I think) but since he kind of resembles a zombie to begin with, not much of a stretch there for him. And now the pictures.


On every seat in the whole freakin’ arena (30,000 seats) they put masks on each armrest. Because it is Halloween. Isn’t that nice?


Close-up of the mask. You can’t appreciate it in the photo, but it’s a sparkly holographic mask. Oooooooh.


They has some of the best lighting design for this show. They had lights all around the edge of the oval stage and then lights that moved up and down behind them. And, AND, they had the required screens so people in the nosebleed section could see Sting’s face. Underneath that they had another screeny thing that projected patterns. It this particular picture you can see the 80’s style lighting they chose to open with.


In this picture you can truly appreciate how dead Stewart Copeland looks. He’s on the screen on the left.


And then they had lights! Lights all over the audience! Whee! Lots of lights! Can’t remember what song this was for, but it worked with the big white lights flashing all over the arena.


And then they sang “Roxanne.” The lighting designer heard the phrase, “You don’t have to put on the red light” and all he heard was RED LIGHTS! LOTS OF RED LIGHTS! The photo above is only the beginning.




Then Sting took off his harlequin mask and sang “Every Breath You Take” which is my favorite song from the 80’s and one of my favorite songs of all time. And it was LAME. You need a certain sexy psycho stalker vibe going on when you sing that song, and Sting is old and has like ten kids and he’s over the stalker crazy thing, so he sang the song like a stinkin’ lullaby. I was sad. And that was the end of the concert. I would say it was good and I would recommend that you go because the three of them are amazing musicians, but don’t expect the same fire and vigor that they had in their heyday. But worth going to.

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