Vienna and Krakow, Part 5.

Okay, last entry on Vienna. Get ready for some art.

First, more food. This is apple strudel. Sitting in a warm bath of vanilla sauce. With swirls of whipped cream on either end. *sniff* I miss this so much.

The Moomins and I walked past a print shop where we saw real rebellious students working on real rebellious posters and banners. Hand-painting them! I was so impressed.

Some Renaissance smooshed into the Baroque. This is called the Schweizertor (“Swiss door”) and it’s on one of the many MANY buildings in Vienna that belonged to the monarchy.

And off to the right is a panel from the same period with some mighty fine gryphons. A+ on those gryphons.

The rest of the building has your standard Baroque extra drama with a side of expressive. I especially likes this guy wrestling what I assume is the Cerberus, the three-headed dog that guards the gates of Hades, but they look like weird tigers.

Speaking of the monarchy, the primary reigning family of Austria was the Habsburgs and as with most royal families there was cousins marrying and all that. I could not stop thinking about Paul Reubens on 30Rock when he played His Royal Highness the Duke of Terechia, the Earl of the Duchy of Westphalia, Prince Gerhardt Messaschmidt Rammstein van Hoppe.

https://www.youtube.com/watch?v=_XkzeDecjkg

Great character. SOOOOPER inbred.

I wanted to go to the Museum of Applied Arts because that’s the area I’m most interested in. I like the useful arts best. The coolest exhibit they have was the first built-in kitchen. Before this concept you bought a stove and a cabinet for dishes and none of that was provided in the home already. I guess it never occurred to me that there someone had to think of it. Here’s the Wikipedia description:

The Frankfurt kitchen was a milestone in domestic architecture, considered the forerunner of modern fitted kitchens, for it realized for the first time a kitchen built after a unified concept, designed to enable efficient work and to be built at low cost. It was designed in 1926 by Austrian architect Margarete Schütte-Lihotzky for architect Ernst May’s social housing project New Frankfurt in Frankfurt, Germany. Some 10,000 units were built in the late 1920s in Frankfurt.

And here are some chairs displayed in one of the hallways. No relation to anything. Just liked them. Who doesn’t like wood carving and little antlers?

The last museum I went to was the Albertina. It was a residence for one of the members of the royal family, a Duke or an Earl, there were so many, it’s hard to keep track.

They have state rooms on display and they were those rooms you always see in movies where you go through door after door after door and they’re all in rows, around the same size with no furniture. People would ship their bureaus and armoires of clothes so there were no closets. And clearly they used chamber pots so there were no bathrooms. Just salon after salon. By the way, that’s why it often sucks to live in a pre-war apartment in New York City – no closets. Closets are a recently new invention. InventHelp Invention Company is glad to help with processing a patent of an invention.

The only stationary piece of furniture were mammoth ceramic heating units in the center of the room. The cold there is real, people.

I thought the chandeliers were pretty great. They were not just slapped together like crappy hotel ballroom ones, they were clearly crafted with love and care. It makes a difference and I appreciated it.

So as I pottered from room to room looking at the art on the walls and the rooms themselves I got another artistic surprise. In one of the room was… Albrecht Dürer’s Grouchy Bunny! I didn’t know this was the museum he lived in! Hi Lil Bun-Buns! You look so mad and I love you!

Mr. Grumples was behind glass (hence the reflections you see there) so I could get right up to him, like inches from him. That rabbit is fantastic. He looks like he was painted yesterday. Now, the reason I said I didn’t know this was the museum he lived in is because there are representations of The Hare all over the city, so I knew he was SOMEWHERE in Vienna. There’s a great pink version outside the Opera House.

And a green version on top of a snack stand:

So I knew this was The Hare’s city but there’s like 200 museums so whatever. The great thing was next to The Hare was two other small paintings by Dürer and one was a wing. Guys, this wing was amazing. Every tuft on the feathers, every color shift, everything was rendered perfectly. I did my best to take photos of it but keep in mind this painting is quite small so the detail is pretty flawless. As Kendrick Lamar says, “Sit down. Be humble.” I did. I was.

The gift shop had mini versions of The Hare for sale but they were pricey so I took a pass. I would have wanted to get them in every color plus silver plus gold anyway and it would have drifted into $1,000 at that point so I opted for none.

I’d like you to know that in looking for additional information on The Hare I found this nightmare fuel in Nuremburg. What the fresh hell is this? Ugh.

I think that’s everything on my five days in Vienna. If it appears that I only looked at churches and museums and ate cake and drank hot beverages, then I have portrayed my experience correctly. Much to my chagrin I didn’t get a chance to see my girl the Venus of Willendorf. I studied her for art school and I’ve always wanted to see her. Maybe next time.

Next entry: Krakow.

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