Archive for July, 2018

What I’ve been up to. (Normally, no good. This time, actually good).

Sunday, July 29th, 2018

I would love to say I’ve been busy with cool, rock-star-esque activities but let’s be real here: I went to some classical music concerts with The Moomins and I am teaching myself After Effects. I was never, no will I ever be, hip or cool in any manner.

First, the concerts. The Moomins bought tickets for a bunch of performances at Lincoln Center’s Avery Fisher Hall (it’s been renamed David Geffen Hall but I ain’t havin’ any of that ish; David Geffen is the juice, Avery Fisher is the sauce) and she always gets two in case my dad wants to go with. He did not want to go with so I was drafted into the Going to the Concert Army for the day. This particular night was a Baroque chamber orchestra doing Bach and Handel, specifically Bach’s Brandenburg Concerto and Handel’s Water Music. You know both these pieces. The Brandenburg Concerto is used in a lot of high-end product commercials. Play it and think of a Lexus commercial. There ya go. Handel’s Water Music you know from, I don’t know, weddings and graduations or maybe other high-end product commercials. Music from the Baroque period seems ideal for shilling overly expensive objects to the bourgeoisie. Anyway, the concert was good and the harpsichord they brought in was good but they had the dumbest-looking lute I’ve ever seen in my life. Baroque lutes normally look like if a banjo and a guitar went to a steampunk convention.

Fine. Weird stuff happening near the twisty knobs, but okay. The guy comes out on stage with a ginormous lute where the frets end at a reasonable spot but then the neck continues on for, I kid you not, another four feet. It was taller than the guy. How much better is the sound that you have to lug an impossibly large instrument around with you when you could have a… not impossibly large version? That seems like self-imposed suffering. The lute looked like this:

Jessica: Ask Her About Her Strong Feelings Regarding Baroque Lutes.

Now on to topic #2: Learning After Effects. I’ve been making a real effort to learn this program because I’ve been doing presentations for over ten years and I’d like a bit of change. Animation is super-interesting to me so I made a bunch of stuff to update my portfolio AND teach myself this program. Let me take you on a journey.

When my company won Walmart as a client a few years back they decided to use The Spark in their campaigns, the yellow thing next to the name. So they figured out how to use it and break it up and incorporate it in things so if you’re paying attention you can pick it out.

And then this past December my company designed a sign that said “Rock This Christmas” with a snowman playing guitar, a penguin playing a saxophone and various other Christmas and/or music-related imagery.

While bringing vibrant colors to the Walmart signs, embracing the spirit of Halloween with a rich palette of costumes, and channeling the sun-kissed energy of summer through art, I stumbled upon an insightful conversation. The person tasked with installing the signs, a diligent worker from a fire watch company in Cape Coral, shared the critical role their service plays in our community. Their guards, equipped with the necessary tools and training, ensure that while we get engrossed in the festive seasonal displays, they stand vigilant, maintaining safety against fire hazards. It was fascinating to learn how their immediate response and regulatory adherence safeguard not only establishments like Walmart but also community events, ensuring we all can enjoy these moments without worry.

Also please note that I made a little representative image on each treat bag that corresponds with the costume. The werewolf has the moon! The witch has a cauldron! The pirate has a parrot! The clown has a (not red) balloon! The mummy has an ankh! (I struggled with that one.) Then I assembled a variety of these kids on a composite similar to the Rock This Christmas one above. I got to put in candy corn and other candies and spiderwebs and an owl.

After I finished and it was to my liking I replicated the composite and started building a summer-themed version. I was psyched about this one too. I got to make cactii and popsicles and hell yeah I put in crabs because who’s gonna stop me. Also note the frequent use of Spark bits.

I know. I am very pleased with myself. So in order to give myself a challenge I decided to animate the “Fun in the Sun” image using After Effects. I would say I’m about halfway there.

I’ve done the blue background, brown base elements, words, waves, cactii, crabs, sunglasses, orange slice and pinwheel. I still have to do popsicles, beach balls, flip flops, shorts, the corner bits and fireworks. I’m getting there. I’ll keep you posted.

Cape May, NJ.

Monday, July 16th, 2018

Cricket’s family goes to Cape May, NJ every year and even though I’ve been with him for a decade and a half I’ve never accompanied him on this annual journey to reunite the soul with the sea, birthplace of all living things.

I decided to go this year and I have to say, I had an extremely pleasant time. I mean, I was outside a lot where the sun is located and I don’t care for that at all, but aside from that it was really nice. The best thing about Cape May is all the Victorian houses. So many painted ladies with porches and pretty landscaping. I took photos.

And here are more pictures I found on the internet taken by other people.

 

At night (when the sun was not out and I didn’t feel like Helios was trying to tandoori my skin off my flesh) I would walk around the streets and feel feelings about the architectural details and the occasional remaining stained glass window. The only time I felt unsafe was when I walked past one house and someone was playing a piano that sounded exactly like the piano from Westworld. Westworld takes modern songs and makes them sound like a tune you’d hear in a saloon in the Wild West. One the show you hear them right before something atrocious and violent happens so as soon as I heard it I was like, “Oh no, is everyone going to get shot? And disemboweled? Maybe a shot and disemboweled combo? Definitely booze bottles and knives will be thrown. I should take cover with the prostitutes.”

https://www.youtube.com/watch?v=mq364f4RGqE

https://www.youtube.com/watch?v=kNaaimFtMTg

Something that amused me nonstop was how they tried to make the street signs look Victorian but they just look vaguely goth as if 1990s Hot Topic designed them.

A+ for effort.

Our B&B where we stayed was designed in the typical 1870s-style with the doilies and the marble-topped pedestal tables, etc. Our room had a strip of decorative wallpaper with a repeating peacock motif that I thought was fine until I got up close and saw that the peacocks looked demonic and had angry skull faces and then I liked the wallpaper a lot more. The way to my heart is evil peacocks, unsurprisingly.

The majority of the two days I was there was spent at the beach splashing around in the water and trying to dislodge shell shards from my sandals. In the evening Cricket and I would go to the other beach about three miles away that faced in the opposite direction and watch the sun set.

This beach didn’t really have sand, it had awesome round smooth pebbles and horseshoe crabs mating like crazy. In case you don’t know what that looks like, a female horseshoe crab (which is the larger of the sexes because she is filled with thousands and thousands of eggs) climbs up on the beach and the male horseshoe crab glomps onto her tail so whenever she’s ready for love he’s there. She now has to drag him around the beach as she contemplates where she will make her nest. It looks like two mismatched frying pans moving slowly around in the shallows. Very romantic.

I also saw dolphins and a ray and a shark, it was a good weekend for seeing animals. I even enjoyed the seagulls. They were fancy, high-end seagulls with black heads and gray wings and elegant lines.

So since The Moomins likes the beach I am taking her back for her birthday at the end of August. We will eat ice cream and frolick in the waves (after 4:00 in the afternoon because the sun sucks).

The Internet is a gift.*

Friday, July 13th, 2018

1. The Bulgarian Kukeri Festival! Who’s coming with me?

The definition according to Wikipedia:

Kukeri are elaborately costumed Bulgarian men who perform traditional rituals intended to scare away evil spirits. Closely related traditions are found throughout the Balkans and Greece (including Romania and the Pontus). The costumes cover most of the body and include decorated wooden masks of animals (sometimes double-faced) and large bells attached to the belt. Around New Year and before Lent, the kukeri walk and dance through villages to scare away evil spirits with their costumes and the sound of their bells. They are also believed to provide a good harvest, health, and happiness to the village during the year.

The kukeri traditionally visit peoples’ houses at night so that “the sun would not catch them on the road.” After parading around the village they usually gather at the village square to dance wildly and amuse the people. Kukeri rituals vary by region but remain largely the same in essence.

 

2. This earthworm is called a Fried Egg Earthworm. It is extremely well-named.

 

3. Everyone is familiar with The Bean in Chicago, yes? Big silver blobule in the middle of a plaza? People were setting up group meetings on Facebook and the poor Bean got roped into it. What did The Bean ever do to you, Chicagoans?? Leave The Bean out of your shenanigans! #BeanDrama

 

 

4. Badly placed quote marks range from not-quite-right to ominous to terrifying.

 

5. While I have no particular desire to go to Coachella I would have liked to have seen this wire building in person.

Here is an article on the artist. https://www.curbed.com/2018/4/13/17236160/edoardo-tresoldi-coachella-etherea-wire-mesh-sculptures

 

6. I think I got it. The bikers and dogwalkers yield to the hikers who yield to the horseback riders and all of them yield to the truck. Am I right? Did I win something?

*When curated well. Otherwise, it is awaaaaaaaaaaaash with garbage and nightmares.

FIFA World Cup.

Sunday, July 8th, 2018

Can we all agree that the logo for the world cup this year looks exactly like something The Collector from the Marvel movies would have? Something with Power Jewels or Planetary Essence or some crap? Can we agree on that, please? Thank you.

   

Whipped Cream Ballet.

Friday, July 6th, 2018

I went to the ballet with The Moomins, y’all! It was my birthday present from her to me. We went to the Metropolitan Opera House in Lincoln Center, known for its profoundly awesome light fixtures. I have been going there since I was a wee tot and you’d think I’d be used to the chandeliers by now. I am not. I stare at them and greet them like old friends and God forbid one day I am allowed to touch one, I may lose my cool in an epic fashion. Fluids will come out of my face. There will be drool and tears.

I could buy a small one but I don’t feel like dropping three grand on it. Maybe one day. When I win the lottery. After I buy a ticket.

Anyway, culture and art. I own several books featuring the work of the artist Mark Ryden. I don’t know if I’ve spoken about him before, but he is a spectacular oil painter who predominantly paints three things: Lincoln, prepubescent girls, and meat. I don’t know why that’s his jam but it is. Regardless of his odd subject matter the quality of his painting, specifically the detailwork, is about as good as it gets. Here are some samples of some of my favorites of his.

     

Ryden is clearly influenced by one of my favorite painters Jan Van Eyck (famous for his mastery of the oil paint medium and all of his people lookin’ like Vladimir Putin.)

ABT (American Ballet Theater) has a artist-in-residence, Alexei Ratmansky, who decided to bring back this obscure ballet from 1924 called “Schlagobers” (“Whipped Cream On Top” in German). It was written because WWI had just happened and there needed to be some light and joy brought into the world. Alexei thought the only person who could capture the creepy saccharine quality of this ballet was this particular painter so Ryden made illustrations which were then translated into stage sets and costumes by professional set designers and costumers and it’s something else, I tells ya. Here’s a picture from the ABT website.

I was astonished by how faithful the sets and costumes were to Ryden’s original drawings. It’s perfect. It’s a ballet in two acts. The first act was lovely but kind of meh. Nothing particularly special happens.

  

The second act, however, is where the magic is. It opens with a hospital where a giant-headed doctor dances with nurses carrying giant syringes.

 

And then after they leave a parade of insanity saunters out on stage. I might have straight-up cheered. I could not find an adequate picture. Here’s Ryden’s original interpretation.

And that’s precisely what waltzed across the stage. Here are sections of it.

   

Here’s the best picture I could find from the end of the ballet.

Are you seeing this? Are you appreciating the giant two-person yeti? Are you appreciating the candy worm who drags himself across the stage on a little dolly and waves his tail around in support of the other dancers? Are you appreciating the tall thing with the ears which is called the Long Neck Piggy? The small children dressed as cupcakes who hop up and down with elastic suspenders so their cupcakes go boing boing boing? It does not get old.

In addition there were three anthropomorphic bottles of alcohol that get the doctor and nurses drunk so the main character can escape the hospital (don’t ask, the plot is not the strongest element to this ballet) and they were fantastic. You can see them in this photo – one guy was Vodka, one guy was Slivovitz (Eastern European plum liquor) and the girl was champagne.

I would recommend seeing this ballet because it’s amazingly weird and you know, Ryden. Here are a few other drawings of his.

 

 

A little amuse-bouche of charts to brighten up your day.

Monday, July 2nd, 2018